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Image 1 of 1
Image 1 of 1
Image 1 of 1
Split cleanly down the center by a fine vertical line, this digital composition is both divided and unified—like two ecosystems forced into conversation. On the left, shadowy shapes and oceanic hues give the sense of depth, opacity, and displacement. The phrase “A Fish Out Of Water” is ghosted repeatedly in the lower quadrant, reinforcing the concept of disorientation or exile.
On the right, the palette becomes brighter, verdant and layered with overlapping arcs that ripple outward like sonar or waves. A subtle circular geometry, echoing a target or mandala, links both halves through transparent overlays.
The piece reads as a visual metaphor for dislocation—whether geographic, emotional, or existential—and the act of adaptation in foreign terrain. It’s a study in contrasts: cold and warm, submerged and emergent, isolation and reintegration.
Split cleanly down the center by a fine vertical line, this digital composition is both divided and unified—like two ecosystems forced into conversation. On the left, shadowy shapes and oceanic hues give the sense of depth, opacity, and displacement. The phrase “A Fish Out Of Water” is ghosted repeatedly in the lower quadrant, reinforcing the concept of disorientation or exile.
On the right, the palette becomes brighter, verdant and layered with overlapping arcs that ripple outward like sonar or waves. A subtle circular geometry, echoing a target or mandala, links both halves through transparent overlays.
The piece reads as a visual metaphor for dislocation—whether geographic, emotional, or existential—and the act of adaptation in foreign terrain. It’s a study in contrasts: cold and warm, submerged and emergent, isolation and reintegration.