Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Crossing the Threshold evokes a dreamlike aerial view of a landscape in flux—perhaps a city at dusk dissolving into a river of light, or a psychological terrain being interpreted through memory and sensation. The composition vibrates with layered fields of color, transforming an abstracted cityscape into a visionary topography. The suggestion of two towers in the mid-ground—framed by an undulating river and rolling land—positions this piece at the boundary between the known and the mysterious.
Deep violet-blue skies give the impression of twilight or spiritual presence. The twin towers at center resemble portals or sentinels—like a modern mythic gate. Pixelated lights mimic urban illumination, but also resemble cells or neurons. A swirling river in cyan and turquoise cuts a jagged path, hinting at movement, transition, and lifeblood. The terrain is mapped in earthy oranges, ochres, and greens, yet rendered in a digital brush—both natural and artificial. A coiled, spiral form to the lower right suggests an eye, a hill, or a labyrinth—the unconscious rising.
The Two Towers may symbolize polarity—past and future, conscious and unconscious, body and spirit, the Twin Towers. They echo tarot archetypes or mythic gateways. The River is the psychic current one must cross to undergo transformation. It also recalls the River Styx or Lethe—passages through memory or forgetting. This painting hums with liminality. It’s the space just before change, where clarity and distortion intermingle. The viewer becomes the traveler, hovering above, poised to descend.
Crossing the Threshold evokes a dreamlike aerial view of a landscape in flux—perhaps a city at dusk dissolving into a river of light, or a psychological terrain being interpreted through memory and sensation. The composition vibrates with layered fields of color, transforming an abstracted cityscape into a visionary topography. The suggestion of two towers in the mid-ground—framed by an undulating river and rolling land—positions this piece at the boundary between the known and the mysterious.
Deep violet-blue skies give the impression of twilight or spiritual presence. The twin towers at center resemble portals or sentinels—like a modern mythic gate. Pixelated lights mimic urban illumination, but also resemble cells or neurons. A swirling river in cyan and turquoise cuts a jagged path, hinting at movement, transition, and lifeblood. The terrain is mapped in earthy oranges, ochres, and greens, yet rendered in a digital brush—both natural and artificial. A coiled, spiral form to the lower right suggests an eye, a hill, or a labyrinth—the unconscious rising.
The Two Towers may symbolize polarity—past and future, conscious and unconscious, body and spirit, the Twin Towers. They echo tarot archetypes or mythic gateways. The River is the psychic current one must cross to undergo transformation. It also recalls the River Styx or Lethe—passages through memory or forgetting. This painting hums with liminality. It’s the space just before change, where clarity and distortion intermingle. The viewer becomes the traveler, hovering above, poised to descend.