Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Ghost Logic is a monochrome labyrinth of layered transparency and geometry, a visual echo chamber where the organic and the architectural intermingle. Composed of translucent panels, stacked frames, and veiled silhouettes, the composition feels like a blueprint half-erased by time or a memory unfolding through the architecture of thought.
At first glance, the image appears abstract, but upon closer inspection, subtle details emerge: the petal-like softness of floral forms on the left, a recurring eye motif tucked near the bottom right, and the faint suggestion of handwritten fabric or stitched patterning—mimicking paper, textile, or ghostly anatomy. The palette is minimal: shades of fog, graphite, faded ink, and bone white, which evoke X-rays, frost, and photocopies of forgotten things.
This work can be seen as an exploration of cognitive processing—how the mind overlays logic on emotion, and structure on chaos, in an attempt to make meaning. The multiple rectangular overlays suggest analytical reasoning or containment, while the more fluid, hidden organic forms resist classification. “Ghost Logic” implies an elusive way of understanding—an intuition or truth that can’t be neatly framed, but still haunts the mental process.
It is at once a meditation on perception and a poetic map of internal conflict: the interplay between intuition and reason, softness and structure, knowing and uncertainty.
Ghost Logic is a monochrome labyrinth of layered transparency and geometry, a visual echo chamber where the organic and the architectural intermingle. Composed of translucent panels, stacked frames, and veiled silhouettes, the composition feels like a blueprint half-erased by time or a memory unfolding through the architecture of thought.
At first glance, the image appears abstract, but upon closer inspection, subtle details emerge: the petal-like softness of floral forms on the left, a recurring eye motif tucked near the bottom right, and the faint suggestion of handwritten fabric or stitched patterning—mimicking paper, textile, or ghostly anatomy. The palette is minimal: shades of fog, graphite, faded ink, and bone white, which evoke X-rays, frost, and photocopies of forgotten things.
This work can be seen as an exploration of cognitive processing—how the mind overlays logic on emotion, and structure on chaos, in an attempt to make meaning. The multiple rectangular overlays suggest analytical reasoning or containment, while the more fluid, hidden organic forms resist classification. “Ghost Logic” implies an elusive way of understanding—an intuition or truth that can’t be neatly framed, but still haunts the mental process.
It is at once a meditation on perception and a poetic map of internal conflict: the interplay between intuition and reason, softness and structure, knowing and uncertainty.