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A brooding meditation on media, distortion, and the erosion of clarity, Broadcast Drift layers the raw elements of landscape, news, and digital noise into a dense and ghostly palimpsest. In the background, a winding coastal road fades into fog, inviting the eye into a tranquil but uncertain horizon. Over this soft vista, jagged overlays of television static, corporate logos (notably Fox News), and blocks of saturated neon geometry interrupt the serenity like a corrupted signal.
Each transparent frame seems to represent a window—or perhaps a screen—through which perception is filtered, fragmented, and multiplied. The whisk-like silhouette near the center floats like an absurd tool of alchemy or interference, suggesting both domesticity and disruption.
Colors shift between twilight blues, screen glare purples, and jaundiced yellows, conjuring the mood of watching too much news in the dead of night—where meaning is less transmitted than drowned. The result is both hypnotic and dissonant, hinting at our cultural moment’s strange synthesis of landscape, media, and mental clutter.
“Broadcast Drift” captures the disorientation of truth in a digitized, overexposed era—where even nature must compete with the flicker of broadcast authority.
A brooding meditation on media, distortion, and the erosion of clarity, Broadcast Drift layers the raw elements of landscape, news, and digital noise into a dense and ghostly palimpsest. In the background, a winding coastal road fades into fog, inviting the eye into a tranquil but uncertain horizon. Over this soft vista, jagged overlays of television static, corporate logos (notably Fox News), and blocks of saturated neon geometry interrupt the serenity like a corrupted signal.
Each transparent frame seems to represent a window—or perhaps a screen—through which perception is filtered, fragmented, and multiplied. The whisk-like silhouette near the center floats like an absurd tool of alchemy or interference, suggesting both domesticity and disruption.
Colors shift between twilight blues, screen glare purples, and jaundiced yellows, conjuring the mood of watching too much news in the dead of night—where meaning is less transmitted than drowned. The result is both hypnotic and dissonant, hinting at our cultural moment’s strange synthesis of landscape, media, and mental clutter.
“Broadcast Drift” captures the disorientation of truth in a digitized, overexposed era—where even nature must compete with the flicker of broadcast authority.